Monday 15 December 2014

Rep of Youth - Kes

If you are carrying out a research investigation dealing with the representation of youth you will need to consider how young people are represented in the press.

Here are some articles which can be used as a starting point:

Why the young get a bad press
http://www.theguardian.com/commentisfree/2010/sep/02/youth-bad-news-stories/print

Riots were like 'a rave' and a chance for young people to get 'free stuff'
http://www.dailymail.co.uk/news/article-2057492/England-riots-2011-chance-young-people-free-stuff.html

They don't live for work ... they work to live
http://www.theguardian.com/money/2008/may/25/workandcareers.worklifebalance


Key questions to consider when you are researching Youth representation in news articles:

Do the values and ideologies of the news institution have an impact on the way that youth are being represented?

Are there any comments attached to the article that challenge or reinforce the main message behind the article?

Are young people interviewed or quoted at any point during the article or are they marginalised completely from the article?

All of these factors are extremely important and should structure the explanation part of your discussion of the article.

In this clip of Ken Loach's film Kes Young people are shown to have strong family values which is the reason for the fight between Casper and McDowell.
Casper is weary, he works very hard but has low aspirations for life after school.
You should apply Marxism here and give consideration to the coal mines hwere the majority of Yorkshiremen earned a living prior to the Thatcher administration.



Consider apllying further theory such as Maslow's hierarchy of needs.
You also need to discuss Stuart Hall's reception theory.
Who are the preferred, negotiated and oppositional readers?
How do they decode the messages within Kes?

Older readers who choose to to read negative stories about young individuals receive a small boost to their self esteem as a result. Why do you think this is?






Sunday 14 December 2014

Rep of men. RotFS

Learning objective: Watch the film 'Rise of the Footsoldier and apply media studies theory using Media Studies terminology.

Areas to consider:
  • Can football hooligans be associated with Cohen's theory of Moral Panic? Consider the introduction of CCTV in and around football grounds and subsequently City centres and schools.
  • Consider ideology and a Marxist perspective when discussing the character Tony Tucker. His treatment and the reaction of the (young male character with long hair).
  • Who are the Preferred/dominat readers. The negotiated readers. The oppositional readers.
  • How and why do they decode the text?

Monday 8 December 2014

Catch Up Session.

As indicated on the checklist handout. All tasks need to be submitted for marking.
If you have digital copies of these can you please e-mail them to Mr Ealey.
aealey@de-la-salle.co.uk


If you have submitted all of these then continue with research investigations.

Monday 1 December 2014

Assessment Task December LoM, audiences



1. What does the text offer audiences?
[30 marks]

2. How does the text position audiences?
[20 Marks]


Year 13 written tasks success criteria:
Knowledge of the concept of audience/representation/narrative
Awareness of relevant theories/debates/views
Uses examples to draw on relevant issues
Use of media terminology/key words
Quality of written communication

Tuesday 25 November 2014

Representation of Britishness - Collective identity


The Representation of 'Britishness'

Learning Objectives: Distinguish elements of representation of Britain.

Key Words: Collective identity, David Gauntlett, unified, identity.



When considering the concept of representation in Media Studies whether it be places, people or events, you need to be able to identify the following:

  • The role of selection, construction and anchorage in creating representations
  • How the media uses those representations
  • The points of view, messages and values underlying those representations

Representation is a process for constructing identity and can lead to a collective identity

The concept of a collective identity refers to a set of individuals' sense of belonging to the group or collective. 
For the individual, the identity derived from the collective shapes a part of his or her personal identity.

It is possible, at times, that this sense of belonging to a particular group will be so strong that it will trump other aspects of the person's personal identity. 




To put it another way, Collective Identity is the idea that through participating in social activities, individuals can gain a sense of belonging and in essence an "identity" that transcends the individual.


One can derive great satisfaction and sometimes great risks from participating. 
Within a typical collective, agreement is often valued over debate.

Quotes to consider if Representation is your concept:
“Identity is complicated- everybody thinks they’ve got one”- David Gauntlett
“ A focus on Identity requires us to pay closer attention to the ways in which media and technologies are used in everyday life and their consequences for social groups” -David Buckingham


______________________________________________________________________

Task 1: In your orange books create a spider gram of all things British. 



Here is a list of some of the things you may have thought about:
British people live in the past and are proud of Britain's history
They don't care what others think about them
Are patriotic
Don't speak foreign languages
Aren't sure about geography, even their own. (What does Great mean in Great Britain?)
Are polite and reluctant to complain, in restaurants for example
Fascinated by scandal and gossip
Have mixed feelings about fellow Europeans
Weather, tea and national sport are important

It is often suggested that Britishness is ultimately about shared values of tolerance, respect and fair play, a belief in freedom and democracy.
Britain has a population with a diverse heritage.

However, the concept of Britishness is much more complicated than the stereotypes you may have identified. 

As A level students, you will need to show that you can recognise and analyse representations 

• demonstrate an understanding of the concept of representation and its importance in analysing and understanding media texts.


• develop a response beyond a description of simple representations


• be aware of the more complex issues underpinning a discussion of representation 

for example the issues surrounding stereotypes, construction, mediation and ideology.

The media texts you have been researching should be discussed with consideration given to the various audiences involved.

Task 2: Discuss the way individuals receive and interpret the texts below, how does their individual circumstances (gender, class, age, ethnicity) affected their reading? 

Consider Stuart Hall's encoding/decoding model, the relationship between text and audience. 
The text is encoded by the producer, and decoded by the reader, and there may be major differences between two different readings of the same code. 
e.g. gender affects the reading as boys may laugh at violence in a film but girls find it upsetting.

• Preferred/dominant • Negotiated • Oppositional 
For example; gender can impact on the reading: Boys often laugh at violence in a film but girls may find it disturbing.










To suggest a unified British identity in many ways can be seen as unrealistic. 
Britain is an adverse country and this is reflected by media representations; it is impossible to talk about national identity without referencing the various British regional identities, British texts explore a wide range of identities, classes and attitudes.

Task 3: 
Watch the following clip about the North / South divide in the UK



Task 4: 
How do social and economic factors and lifestyle choices contribute to the representation of British Northerners and British Southerners in the following clips?




Monday 17 November 2014

F. A. I. R.

Some straightforward tasks to help get your speed up. Complete ALL four.

Revising the Key Concepts
The key concepts of Media Studies are like your tool box for analysis.

They are easy to recall – Just remember to be FAIR.
F.A.I.R
Forms

Audiences


Institutions


Representations



FORMS

Over the centuries, humans have developed different ways of communicating with one another, and have especially sought ways of communicating a single message to large groups, via a mass medium. Various scientific and technological developments have led to the creation of mass media forms.


Print (which includes books, newspapers and magazines), originated in the fifteenth century.
Around 1440, the goldsmith Johannes Gutenberg started work on printing press prototypes, experimenting with mechanical movable type. His invention is considered the most important event in modern history. Without the printing press,there wouldn't have been any education for the masses (and, therefore, no democracy) and we wouldn't have today's knowledge-based economy. 


Printing press


Images and Sound
The next technological innovations that led to new media forms occurred in the nineteenth century. Parisians Joseph Niepce and Louis Daguerre presented the earliest examples of a photograph (images captured on plates of metal) to the world in 1839. Thomas Edison created the phonograph in 1878, that allowed the recording of sound for later playback. Then, various people lay claim to the technologies that came together to create movies. In 1895 the Lumière Brothers presented the first cinematograph show.


Thomas Edison


Broadcast 
The twentieth century brought inventions that made it possible to communicate a single message to a large audience simultaneously: broadcast. The first radio transmission was sent by the Italian, Marconi, in 1895, and he also sent the first transatlantic radio signal in 1901.
Once mass radio broadcasts became a staple of communication, the race was on to bring pictures to the airwaves. Again, a lot of inventors had ideas for the broadcast of pictures along with sound, and it's impossible to say exactly who invented television as we know it and when. Both John Logie Baird (from Scotland) and Philo Farnsworth (from the USA) lay claim to that distinction for their work on broadcast systems in the 1920s.


An early television


Internet
Universities and major research facilities started networking their computer systems in the late 1960s and early 1970s, but the protocols for a global network (what we now know as the internet) weren't put in place until 1982, and it wasn't expanded for popular (e.g. non-research or military) use until the 1990s. As with the printing press, five hundred years previously, the technology spread like wildfire, and soon a personal computer became as much of a fixture in the home as the TV set.


  • Media Forms.
This simply means the type of media text or media platform that we are studying. 
For example, a magazine is a different media form to a TV programme or a website.
The media language we use to analyse a media text will change with different media forms. 
For example if we were analysing a film, we would talk about camera movement, editing, sound, location, props and mise-en-scene, where as if we were analysing a newspaper, we would talk about headlines, mastheads, captions, bylines and cropping.
Different media forms are then split into genres
Film for example might be split into horrorcomedyactionwestern or thriller
TV might be split into soap operadocumentarygame show or drama.
Different genres have different ‘codes and conventions’. 
For example, we know a science fiction film when we see one because there are space ships and aliens, themes of discovery and technology, the futuretime travel androbots.

The dominant colours are metallic silver and neon blue or green. 

These codes and conventions are very different to a western where we would expect to see cowboys and saloonshorsesspursguns and maybe a cactus

The Narrative or story is also different; different themes and different types of characters too. 
The codes and conventions show us the type of narrative and genre and this helps us recognise and analyse the form of the text we are studying.
_______________________________________________________________________
TASK 1:

Have a look at the two posters below. The form is the same – they are both films. 
The genres are clearly different. 
Identify clues that show the narrative themes to be expected from that genre
Consider iconography, visual and technical codes and conventions, settings, props and graphics associated with that genre.

200 words. Word doc. Homework. e-mail to Mr Ealey by Tuesday 25/11/14



AUDIENCES
If the media is about MASS COMMUNICATION, then it’s very important to look at who a media text is communicating with. 
Different media companies have different audiences
For example, Kerrang! Radio has a different ‘target Audience’ to Classic FM or Choice. 
Different media texts can also have a different target audience. 
For example BBC1 make Newsround and News at Ten but the target audiences are clearly different

Media audiences can be broken down into different groups, this is called audience segmentation
You can segment audiences by ageracegender,social class, how much education they have, where they live, what sort of interests they have or the subculture they identify with.
When different presentational devices are used to appeal to different target audiences, this is called mode of address.

__________________________________________________________________________

Task 2:
Both of these texts are produced by the BBC. 
Identify how the different modes of address have been constructed to enable these programmes to appeal to their target audiences.

200 words. Word doc. Homework. e-mail to Mr Ealey by Tuesday 25/11/14

The Football League Show is broadcast late on Saturday night following Match of the Day.

Newsround (originally called John Craven's Newsround, before his departure in 1989) is a BBC children's news programme, which has run continuously since 4 April 1972, and was one of the world's first television news magazines aimed specifically at children.




________________________________________________________________

INSTITUTIONS

It is also important to consider the company or organisation who produce or broadcast the media texts that we receive. 
Different media institutions have different aims and visions and they often have different audiences or compete with each other for the same audience. 
Some media institutions are huge and they own lots of different media forms; 
Rupert Murdoch owns a company called ‘News Corp International’ which owns Sky TV, The Sun newspaper, The Times newspaper, FOX TV, 20th Century Fox films and lots more. 

Some people see this as worrying because increased concentration of ownership means that all our media content is getting more and more similar and its only real purpose is making money.
The study of institutions also includes looking at how a company makes its money. 
For example, a commercial institution like The Sun newspaper makes its money from advertising which means they need a very big audience to interest their advertisers. 
News articles are often cut or shortened to make more space for advertising to make more money for the institution. 
This worries some analysts, because it means that The Sun is not really concerned with news so much as advertising revenue and audience figures.
Other important part of institution is ownership and control
If an owner is able to control their institution and its content or audience then should there be a limit on how much one media conglomerate should be allowed to own?


__________________________________________________________________

Task 3:

With reference to Two Step Flow theory, discuss the ownership and control of the media texts you are investigating for MS3.

200 words. Word doc. Homework. e-mail to Mr Ealey by Tuesday 25/11/14


__________________________________________________________________

REPRESENTATION

This can seem complicated but it’s very simple once you get it and possibly the most important of all the key concepts. 
What we see and hear in the media is never real. 
It is a RE-presentation of reality. 

How a person or organisation is re-presented is really important. 

For example, a film about the police force could be made and represent them in a positive way as a heroic crime fighting organisation, on the other hand, a film could represent the force in a negative way as corrupt and unfair. 
Costume, the language used and the location are all part of how meaning is created

Another example might be with race; in the past there have been a lot of police shows that tended to depict thieves or drug dealers or terrorists as ethnic minorities. 
Lots has been written about the unfair representation of black men and more recently middle eastern or Muslim men. 

As Media analysts, we need to look at the representation of characters and organisations critically. 
Take young people as another example, lots has been written recently about ‘hoodies’ and gangs and knife and gun crime. Shows like ITV’s The Bill represent young people as rude and threatening and the news gives a massive amount of attention to street crime. There may be some truth in these representations but, there is an unfair dominance of negative stereotypes
Most young people are respectful and honest and yet we are rarely shown this version of reality because it is less sensational and it sells less media texts. 
Therefore we see instead an unhelpful quantity of negative representation which possibly makes the problem worse rather than improving it.



Task 4:


Watch this clip of Skins and summarise the representation of young people. 
Is it good or badfair or unfair, does it reinforce negative stereotypes or give a more balanced perspective?





GANGsters?









Thursday 13 November 2014

Audience assessment question

The exam question on audiences will require you to apply your knowledge to the texts we have studied.
  • Luther
  • Life on Mars
  • Common
In what ways do different audiences respond differently to the same media text?  
Firstly, look at what they question is asking you.
1)  Identify ways audiences can respond - take a preferred reading, negotiated or oppositional could be one example of responses.
2)  Then identify different audiences- gender differences, age, ethnic group, religion sexuality etc.
3)  Then, using the ways audiences can respond choose an audience group and show how and why they might respond differently. Eg. Older people that remember the 70's.
4)  Then select an appropriate text and example. Eg. Life on Mars 
     Older people represented as sexist, racist and with backward police approaches where fitting a suspect up is fine as long as they deserve it.
5)  Discuss responses your audience group may take e.g. They might take a preferred reading of a text as they fit the lifestyle and age group represented so can relate to the text (music, clothes, cars) but could equally reject the stereotypes and be very offended that 70's people are portrayed in such a negative way, as they themselves feel that the show is set in a time of change with institutions such as the police force introducing moves to introduce openness and the integration of more prominent roles for women. 

6)      Repeat with another audience group- a gender, age group etc and show their difference responses to the same text.

****************************************************************


Nike Advert (Wayne Rooney)


National Identity/ Patriotism: Audiences are positioned to take a preferred response to the visual codes in this advert by perceiving football as being ‘as important as religion and British culture’ (deconstruct the image to illustrate this- e.g. crucifix-like icon of Rooney). 

Religious Beliefs: People who consider themselves to be religious may be positioned to take an oppositional response to the text as they may feel insulted that Rooney has been compared, through use of symbolism, to Jesus Christ.  You can argue that Nike as a company may encourage this response from a segment of the audience as the controversy will bring more attention to the advert, thus helping them receive more publicity and PR and promoting their product further (especially as Adidas was the key sports brand sponsor of the World Cup 2010).

Celebrity endorsement- football fans may be attracted to this advert as he is endorsing the Nike product, explain how they will consume some of the ideologies and how they may agree with them.

Patriotic audiences may be attracted to this product- explain what is being presented to the audience and how this may agree with their personal social values- this reinforces their beliefs

The text positions audiences to take different responses to the advert and controversy - explain who would have these responses and what they would be.

**************************************************************
Suggested essay structure:

Introduction:
· Outline that the primary aim of 
a media text's is to attract audiences so that they keep getting funding for their product or meet target audiences needs and get high viewing figures.

· Explain that audience are attracted to media products for many different reasons and give some examples of what they may be...... (e.g. Narrative, Characters, Personal Identity, Information, Loyalty, Social Identity etc)

· Explain which texts your answer will approach

Main Body:
Give 2 textual examples.

· Remember you need to choose texts to discuss that attract a RANGE of different audiences so it needs to be a text that will be popular with different audiences

You will need to explain:

The genre of the text

Reason for attracting different audiences

Examples from the actual text that may attract different audiences for different reasons- explain
these reasons in detail

Viewing habits- if a programme is on at prime time 6pm-9pm then it is more likely a more diverse
audience will be attracted to the programme than after the watershed.

With reference to film, a classification may affect who views it (e.g. if the film is an 18 it discounts
anyone below this age barrier)

Compare and contrast different reasons for consuming these texts and what may be communicated to the audience through them


Summary:
· Sum up points you have made briefly about your chosen texts
· Give brief reasons for diverse and different audiences
· Sum up what may attract different audiences to the same text